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An Afternoon With Sugarfree

The interview was published previously in my multiply site.

Originally posted April 20, 2009


I visited Pipeline (now eMusic) Studios in Makati to interview Sugarfree about their lineup changes, their 10th year in the music industry, their explanation about the sound volume of “Tala-Arawan”, and their upcoming album.

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Pinoy Rock Central: The band’s lineup on “Sa Wakas” was Ebe on vox, Jal on bass, and Mitch on drums. But this wasn’t the first lineup of the band right?. Who were in the original lineup of Sugarfree?
Jal: No, our first lineup was Chavi Romawac on drums, Jesse Hoover on keyboards, Ebe on guitars and vocals, and ako on bass.

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PRC: Sinong nag-initiate na mag-banda kayo?

Ebe: Kami ni Chavi, drummer ng Session Road. Kasi nanonood ako ng gig ng Session Road. Jal was with Session Road dati. Tapos yung college band ko, last gig namin, nag-front kami ng show para sa kanila. Then after that, nag-kwentuhan kami ni Chavi kasi kabarkada ko siya eh. We’re family friends.

So nagtayo kami ng banda, tapos literally si Jal, napadaan lang. Tapos sabi niya, “Ui, sali ako diyan”. And that’s how it started.

So yung first lineup was me and three-fourths ng Session Road. Tapos naging busy lahat, so we parted ways. Si Jal naiwan sa Sugarfree. So we got Dennis Leung, na ngayon ay nasa Top Junk. But that didn’t work out kasi he had a day job noon.

And we got Mitch Singson. Then we met Rico Blanco who heard the demo. He was in this for a while...

Na-finalize lang talaga yung lineup a week before the recording of the first album because Rico decided to be the prodcuer na lang.

Jal: Na hindi rin natuloy.

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PRC: Mitch Singson left in 2006, how did you meet Kaka?

Ebe: Barkada siya ng Itchyworms at barkada ko rin ang Itchyworms. Naghahanap ako ng drummer. Tapos habang nagiinuman kami, they referred Kaka.

No one else wanted to audition for this band.

Jal: [laughs] Si Kaka lang yung talagang nag-lakas loob.

PRC (to Kaka): What was your reaction when you were chosen by Ebe to be the new drummer of the band?

Kaka: Nakakatawa nga kasi ang labo parang “Kaka, gusto mo magbanda? Marunong ka mag-bass? Marunong ka mag-drums?” Ano gagawin ko?! [laughs]

Kasi nag-session ako sa ‘Worms dati, kagagaling ko lang sa Cebu. Kakagraduate ko lang ng college nun. Pumunta lang ako dito para mag-bakasyon lang talaga.

Ebe: Talaga?! [laughs] Kala ko dito ka na nakatira pare.

Kaka: Nag-bakasyon lang muna ako eh. Parang pahinga muna. Tapos parang, “gusto ko mag-session, kasi miss ko na tumugtog eh”. Yung nga, nag-session ako sa ‘Worms, sa Kapatid. Sa ‘Worms naging kaibigan ko sila Kelvin, sila Jugs….

Tapos nagka-inuman yata sila ni Ebe nun. Pagkatapos ng usapan nila, nag-text sa akin si Kelvin, “Kaka, gusto mo mag-drums (sa Sugarfree)? Try mo lang kung gusto mo.” Sabi ko “sige”.

Tapos si Mitch, pumunta sa akin……parang tinawagan niya ako, “bro, pwede ba tayong magkita?”. Eksakto, nakatira si Mitch sa condo na tinitirahan ko. So nag-meet kami doon, tapos dinalhan niya ako ng mga cd’s. Bale friday yon o thursday tapos sa monday, may gig sila sa Mayric’s. Di ko pa sila nakikilala.

Sabi ni Mitch, “pag-aralan mo yung mga kanta dito, kung gusto mo, punta ka sa Mayric’s, mag-jam ka”. Tapos nakilala ko rin sila. so pumunta ako sa Mayric’s at nag-jam kami ng tatlong kanta.

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PRC: During the making of “Tala-Arawan”, was the transition (from Mitch Singson to Kaka Quisumbing) hard for the band?
Ebe: I think any transition of a band is hard. There’s a period of getting to know each other. Syempre una, nagkaproblema.

It was a new band again eh, even just one new member. It was a totally new band, new dynamics. So a lot of adjustments took place.

Noong nag-rerecord kami ng “Tala-Arawan”, there were moments na we were very tentative of what we were doing. Hindi naman dahil naka-dalawang albums na yung Sugarfree, matandang banda na siya eh.

But what really struck us about Kaka, noong first time kami nag-jam sa Mayric’s is: very raw yung tugtog niya. Parang punks…

Jal: Punks?! [laughs]

Ebe: Malakas tumugtog, ganadong-ganado. Nabubuhayan kami tumugtog.

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PRC: You’ve been in the music industry for a decade already. What do you think is the driving force of the band?
Ebe: Money…….Chicks [laughs]

Jal: Yung interest namin sa music. If there’s one thing the band is passionate about, its music; even to the point that we’re very self-critical. Bawat isa sa amin sa banda, mayroon kaming kanyang-kanyang place, kanyang-kanyang gusto sa music.

Every time a song is arranged or something is supposed to be executed by the band, parang natural na sa amin ang goal na pagandahin ang lalabas dun sa results namin. I think for 10  years yun ang nag-sustain sa amin.

Tapos everytime maglalabas ng album, we’re very conscious not to repeat stuff. Like kung papano namin ini-execute yung isang kanta sa first album, sa second album hindi na siya mauulit. Laging nagdoon yung goal na you should always outdo your previous albums. You should always outdo yourself. So kung ganon yung goal mo bilang individual musicians and bilang banda, step up lagi.

Kaka: Yung trato namin kada-album, parang bagong banda talaga. Parang yung Tala-Arawan, itong banda yon. Yung bagong ilalabas naming album, iba na rin yung bandang iyon.

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PRC: The band has had three studio albums (“Sa Wakas”, “Dramachine”, and “Tala-Arawan”). What’s your favorite album?

Ebe: Sa Wakas will always be the fans’ sentimental favorite. I think Dramachine will always be remembered as the commercial success that it was. Tala-Arawan was listener’s choice. I treat them equally because, they are stages in our lives as individuals and as a band. So parang mo na ring sinabi na, “I like myself 10 years ago”. But I think I should always like myself [laughs]. I like all three albums but I like this one better.

Jal: Kaya gusto ko yung “Sa Wakas” kasi…..

Ebe: Mga inosente pa kasi yung nagsulat ng mga kantang nun eh

Jal: Ang reference lagi, bumabalik lagi sa unang album. Kung gaano kami ka-naive noon sa recording, kung gaano ka raw at simplified ung playing; yung engineering ng album, kung gaano ka basic pero naging effective siya. Kaya ko din favorite ‘yon I guess kasi parang owing up to kung saan kami nanggaling.

Ebe: I guess its a reminder for us when people are pressuring us to come up with another hit, babalik kami sa unang album when there was really no money involved yet…no fans…no following..no nothing. Just the desire to play

Kaka: Ako syempre, kung ako tatanungin mo, yung ginawa ko. “Tala-Arawan”.

Jal: Kala ko Sa Wakas rin [laughs]

Kaka: Pero mayroon akong favorites sa mga kanta sa each album. Like pag tumugtog kaming live: “Dear Kuya”, “Kung Ayaw Mo Na Sa Akin”, “Batang-Bata Ka Pa”. Pagdating sa “Tulog Na”, parang nabubuhayan ako, compared dun sa ibang kanta.

Ebe: Ironically, nabubuhayan siya sa “Tulog Na” [laughs]

Kaka: Mas nabubuhayan ako sa “Tulog Na” kaysa sa “Kung Ayaw Mo Na Sa Akin”.

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PRC: Do you guys believe that your musicality has changed throughout the years?

Jal: Yes, definitely, with the amount of people we’ve come across and the bands na nakilala, nagkakwentuhan. The kind of pop songs there are now or at least yung mga ini-idolo naming banda, naglalabas din sila (ng album) for 10 years. Plus, natural sa amin na iba-iba ang pinapakinggan naming tatlo. Which I think makes it more interesting pagdating sa tunog ng Sugarfree. Iba yung taste ni Kaka sa taste ko at sa taste ni Ebe.
Ebe: Hindi lang siguro evident sa ibang tao that our preferences has been changing, that our style has been changing. We have managed to stay through our roots: Pop Music. Just because we don’t do the electronica stuff doesn’t mean that the band isn’t progressing. I think it is in its own realm.
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PRC: Where do you get inspiration for your songwriting?

Ebe: Kahit saan [laughs]. Inspiration, sabi nga nila, is like anytime and anywhere. When people ask me, “What’s your routine before writing a song?”, you can’t have a routine because the inspiration is anywhere. I actually managed to write some songs half-asleep. Parang papikit ka palang tapos may iniisip ka na.

Mostly from personal experience, but I’ve had the good fate of having interesting friends. Minsan yung mga kwento nila yun yung nasa mga kanta namin. Di naman tungkol sa akin lahat.


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PRC: During the last 10 years, was there an instance when you felt like you wanted to quit the band or stop performing?
Ebe: Recently… [laughs]

Jal: Actually maraming instances.

Ebe: At saka whenever one of us wants to quit, may dalawa na hinihila pabalik yung isa. Kasi feeling namin, hindi pa kami tapos. There are more things that we would like to accomplish. Of course this band can’t stay around forever.

Jal: Hangga’t kaya…

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PRC: What can we expect in your upcoming album?
Ebe: The listeners will expect a more live-sounding album as opposed to the other albums we’ve had. Kasi ang proseso namin dati, we wanna arrange, write, and record songs that would sound nice sa recording studio.

Now, ang mentality namin, we wanna make songs that would be fun to play live. Dun naman nabubuhay ang musikero eh, tugtog. Karamihan ng tugtugan namin, out-of-town. So a lot of people come to see us play. Tapos, ayaw naman namin ma-bore sila habang tumutugtog kami kaya we give them studio quality performance.

Arena yan eh, 5,000 to 10,000 people waiting to rock out with the band. We just want it to be a more fun, energetic and live-sounding album.


PRC: Can you give us some recording details?

Ebe: We have two producers, si Sancho Sanchez [laughs]. He’s been a long time friend. He’s done albums for Sandwich and played guitars for Cynthia Alexander. Again, we’re teaming up with Buddy Zabala who produced Dramachine.

We are recording at Shinji Tanaka’s studio in Quezon City, Sound Creation Studios.


PRC: How many songs can we expect in the upcoming album?
Ebe: Ang target namin 15 songs with fillers.

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PRC: Some fans have noticed that the tracks in “Tala-Arawan” had low sound volume. Why was it made that way?

Ebe: Search nyo sa Google, “Loudness Wars”. Para kasi kay Robin Rivera*, “dahil ba malakas yung mga ibang albums, yun na ba ang standard ng tenga ng mga tao?” So pinahina niya nang konti ang volume.
Jal: Pag sobrang volume kasi, nawawala ang dynamics ng kanta. Pag “wall of sound” lang yan, yung sentimiento, mawawala siya. So kapag mahina yon, mas focused ka. Yan yung whole experiment.

That’s also the same reason why we didn’t use any effects. Yung tunog ng mga instrumento, natural, galing lang siya sa mics, galing lang sa kwarto. Yung distortion namin, we just cranked up yung amplifiers. Raw sound lang talaga.
Kaka: Parang ganito, pag tumugtog ka sa bar na maliit, syempre yung volume mo, kontrollado. Pag tumugtog ka sa live (open air gigs), doon ka na babanat. Kung baga, ganon yung comparison.
Jal: Yung dynamics, mas maririnig mo kapag mahina ang palo sa mahina na kwarto. So mas ma-aapreciate mo siya.

Ebe: But don’t worry, for this album, we have every intention of rocking out. [laughs]

Jal: Kasi si Sir Robin, yung experience niya sa Eraserheads, yung first 2 albums nila, old-school recording yun eh. Yun ang kinatataka niya na bakit in a span of a decade, nagbago yung concept ng volume ng mga tao. So parang, the experiment was an attempt to try go back to how things were done in the past.
Ebe: Wala kaming pinapatamaan na musikero, na “you guys are too loud”. Its just preference. Its just the way we wanted to do it back then, which is totally different from how we want to do things now.


*Robin Rivera was the producer of “Tala-Arawan”

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PRC: What’s next for Sugarfree after the release of your upcoming album?

Jal: Promotions and the concert on August*.


Ebe: Back on the road, but we were never really gone [laughs]

Jal: Ang gusto ko school gigs, makabalik sa campuses.

Ebe: We want to connect with the kids. [laughs]

PRC: Can we expect a guest appearance from Mitch Singson in your concert on August?

Ebe: We don’t know yet. Si Mitch nagdoon naman nung huling concert, he was backstage with us. Kasama namin siya sa bandroom, nakatambay kaming apat doon. We don’t know if he wants to play this time. Maybe we’ll ask the other members to join us as well.


Kaka: Parang reunion.

*Their concert with the Manila Symphony Orchestra will happen on August 27 and 28, 2009 at the Music Museum.

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